September 2024
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    I finished reading The Girl On The Train by Paula Hawkins about a week ago, and while the rest of the book was good (per say), I hated the ending

    When Rachel first survives being hit in the head I start losing interest.

    And then she and Anna (and Anna’s child) escapes and Tom dies. It’s.. Dissapponting.

    I don’t know why; maybe I didn’t like Rachel a lot. I mean I didn’t quiet enjoy the characters– esp compared to how much I enjoyed MC in other books and I defo didn’t connect and the first person POV pulled me out bc I didn’t feel like I was there y’know.

    I would have preffered if Megan died and Tom kind of force Anna into silence and Scott get in trouble and Dr Kamal get killed. I don’t usually want such dark endings in books but for some reason it seems like the only satisfactory end to this book.

    What’s are your thoughts?

    by RM_Shah

    4 Comments

    1. Adorable-Buffalo-177 on

      Guess i’m weird because i enjoyed the ending . The only book I’ve ever finished in 1 day.

    2. The ending was forced/rushed.

      1st, it was shown Anna madly in love with him thinking he (Max) is perfect and the just 5 to 6 pages later Rachel convinced her that Max is a gaslighter and pathological liar along with a murderer. Like how ? It would have been much better if the writer showed Anna struggling to believe and comprehend that her perfect loving husband cheated on her and even killed someone

      2nd , Writer did Rachel dirty for once i started to like her (in the end ) but in the book’s world she is painted as a mentally unstable person. Why Rachel had to take responsibility of self defense and why not Anna ? Even though in reality , Anna was the one who did the deed

      although the book is good for people who are beginners in Thriller/mystery type of books.

    3. I ended up coining the term Amnesia Ex Machina for this book… “well, 50 pages left, her memory will be coming back anytime now.” The thing is, I’ve had a lot of reason to apply it since. It’s such a weak plot device. Gone Girl worked with an unreliable narrator because she was unreliable because it was deliberate, but we’re seeing so many unreliable narrators who have addiction issues/mental issues etc. and that can be fine unless it’s being used to stretch a 10 minute mystery into 250 pages.

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