The most infuriating trend in media criticism

When someone reads a book (or plays a game, watches a movie, etc) they inevitably have some first impression: the book is an allegory for X, the moral of the story is Y, character Z is a hero, etc. When they read the book a second time, or just think about it more deeply, they might realize that the text contains elements that contradict their first impression. Maybe the allegory doesn’t quite fit. Maybe there’s a subplot that seems to conflict with the overarching moral. Maybe the heroic character turns out to be a bit more morally grey than they first realized. What should the reader do?

I think the answer is obvious: you revise your first impression. If the book doesn’t work as a simple allegory for X, then maybe the book isn’t an allegory for X after all! Maybe the moral isn’t Y. Etc.

But what a lot of people do, and this drives me absolutely fucking nuts, is they say something like “Wow, this allegory about X doesn’t work. The author obviously doesn’t understand X.” or “Wow, this heroic character is an asshole. The author must be a terrible person if they think *this* is what constitutes heroic behaviour.”

The most cartoonish example I’ve seen is Ben Shapiro’s review of the Barbie movie, where he keeps wondering why are there adult jokes and themes in a movie that he’s preemptively decided is supposed to be for children, but I see the same pattern everywhere.

This is especially true of adults who revisit books they read as children. They compare the actual substance of the text to their terrible, immature, *literally juvenile* first impression, and are shocked to discover that the book doesn’t seem to be doing what they thought it was doing. But instead of thinking “huh, I guess I missed a lot of the nuance when I was a child” they think “Wow, in hindsight this book is terrible. I can’t believe the author thought this asshole was a hero!” No. *You* thought the asshole was a hero. That was *your* mistake, not the author’s.

by pseudoLit